Play over many different sounds at the same time while performing live on stage
Perform, engineer, produce and distribute while performing live on stage using Low Power FM
Record, Mix and Master at the same time with the One Pass Internal Mix while performing live
Studio/Stage keyboard engineering OMB3 creates 7 different instruments sounds by one person, 2 sounds from the upper layered keyboard, 2 instrument sounds from the lower split keyboard, pivot foot bass with accents fills and rolls from bass petal triggers and finger drums while singing vocals. Record in stero with a one pass internal mix for live CD's and transmit in Low power FM to fm mp3 recorders. Connect the OMB3 to a house PA with two mike cord inputs for easy set-up then perform to a live audience.
(OMB3 a non-weighted sit down keyboard)
Develope your Sincopation, Coordination and Dexterity with the power of practice
Guess? How many musicians around the world said "Its impossible for one person to duplicate a live band sound on the stage; that requires base, drums, rhythm and solo, 4 people using 8 hands and two feet, how does one persons with two hands and two feet do the job?"
Answer! build a keyboard that uses split, layered and solo, train the hands to play 3 positions of right and lelt solo & rhythm, play the split with one hand while playing the upper layered horn & string solo while playing the FBD3 foot bass and drums. How? Build a Foot Bass keyboard based around the contour of the foot that can be played like a bass player and design a one pass internal mix for the instruments used.
Thats how its done, but how do you do it? Answer! IC chip the Mind, that on my instructional CD Video "Playing the *New*Touch Screen Keyboards and playing the Pivot Foot bass".
The mind is a mini Universe, everything the Universe does the mind can do. There is a power in practice, the playing of music rotates the mind creating new thoughts in developing yourself and creating new adventures in life.
Electronic recordings started with the whole band playing at the same time and being recorded with one mike hanging down in the center stage , this was one pass, after recording the song it was finished, if it wasn't liked it was played all over again, until the song was accepted by he producers. The problem with this is getting everybody together at the same time to record, if this didn't happen the recording was over without any pass. This brought about multi-track recording, if somebody didn't show-up all wasn't lost. This also bought about creating music that couldn't be produce live and other things too that became unorthodox.
The new technology has left the average musician far behind, the new non-weighted keyboards the ones without a regular touch and feel like the grand piano but have a floating touch & feel was refused by almost 99% of the professional keyboard players around the world. Most performing musicians were on a quest to learn more about sound engineering, producing their own shows and distributing their own music, eliminate the middle men like recording companings but recording companies were doing all they can to stay in cntrol of the business, you should be able to guess what their doing do that?
With one person making all the music you didn't have to worry about others showing up, if the musican can play all the instruments well enough to make a finished product. This could be accomplished with multi-track recorders. Now the problem is how to make that sound live on stage, its hard to sell a music product without a live stage performance. Music production requires many things to happen at once to make varity clearity and fullness. A studio mix is hard to get live on the stage, in a studio you have the advantage of working on one song for days even months, live on stage you have only a few hours.
The internet opened a new door for the independent musicians, making promotion and distributing cheaper to produce, it also made it harder for a individual to stand out. Good sound engineering makes a sound project full and clear so it can stand out with the corperate professionals. Now the independents have a new tool, Low Power FM, being able to distribute songs directly to buyer while playing live on stage. FM transmissions are legal with in 500 feet enough room to send music directly to FM receivers with mp3 capabilitys while performing live on stage. The performing musician could now perform, produce and distribute at the same time live on stage with Low Power FM.
A keyboard with a internal mix setup already inside has a advantage of a premix when played, the master is made because the keyboard player controls the volume and whats heard, that all the recording engineer does in a recording studio, set the volumes and whats heard from the recording made on the multi tape to the master tape. With a keyboard with a internal mix the musician becomes a recording engineer while playing and performing making the master at the same time. Quess how many musicians said "that this was impossible"?